
Golden Age Hip Hop (From a Gen Z Perspective)
1991
1991 not only was a game changer for hip hop, but is definitely my favourite year for rap music due to it marking a turning point where the genre became more raw, unfiltered, and diverse than ever before. This year has a range of alternative/political/jazz/r&b/conscious/hardcore & Gangsta rap albums, all different groups and different regions (East, West & South). I notice the increased use of profanity in lyrics which reflected a shift towards grittier, more street oriented storytelling. Artists weren’t just making music they were painting vivid pictures of their realities whether it was gang violence, systemic oppression, or the pursuit of success by any means necessary.

Favourite tracks from Album
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When In Love
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Act Like You Know
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Poor Georgie
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All That
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Absolutely Positively ... Practical Jokes
MC Lyte
Act Like You Know
I never really connected with MC Lyte’s first two albums, and while her second one had its moments, Act Like You Know is the album that truly made me appreciate her genius.
Act Like You Know is like going back in time and realizing just how much she was ahead of the game. She’s a straight up lyricist, no gimmicks, no filler, just bars. She keeps it real and direct, and it’s clear she wasn’t just trying to be “the female rapper,” she was aiming to be one of the best, period.
The beats on this album are so clean.
You can tell it was the early 90s because there’s that perfect blend of sample based grooves and those crisp drums. There’s this laid back, almost jazzy vibe on some tracks that really let her voice and flow stand out. She had a way of riding the beat that was so natural, and it’s still super catchy to this day.
What hits me most is how much she paved the way for other female MCs.
You hear her and you realize she didn’t have to prove herself by being overly sexual or soft, she just let her talent speak. She really opened the doors for other women in hip-hop to own their voice and bring their own style. When I listen to this album, I hear the roots of artists like Remy Ma, Eve, and even Cardi in how they’re all about owning their craft and spitting with confidence.
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Scarface
Mr Scarface is back
Mr. Scarface Is Back was the album that proved Scarface wasn’t just a key member of the Geto Boys he was an elite solo MC in his own right.
His street tales are raw and unfiltered, but what really sets this album apart is the introspection. Scarface moves beyond the shock value of his horrorcore past and dives deep into the complexities of his world, balancing brutal realism with deep emotion.
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Before there was 50 Cent, there was Scarface. If you loved Get Rich or Die Tryin’, you’ll definitely vibe with this album. It’s gritty, cinematic, and unapologetically real. Scarface doesn’t just rap about the streets, he makes you feel every moment, every decision, and every consequence. This album isn’t just a classic; it’s a blueprint for the kind of storytelling that would influence generations to come.

Favourite tracks from Album
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Mr Scarface
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Born Killer
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Murder By Reason Of Insanity
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Your Ass Got Took
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A Minute To Pray And Second To Die

Favourite tracks from Album
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Real Niggaz Don't Die
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Niggaz 4 Life
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Appetite For Destruction
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Real Niggaz
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The Dayz Of Wayback
N.W.A
Niggaz4Life
efil4zaggin was a statement, a full throttle explosion of raw energy and no holds barred lyrics over stripped down, hard hitting beats that sparked outrage the moment it hit the streets. At this point, Ice Cube had left the group, and you can definitely feel his absence. Without him, the album leans more heavily into the hardcore gangsta vibe, with MC Ren, Eazy E Dr. Dre.
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Even without Cube’s lyrical influence, the group still delivered a powerful message. The beats, especially produced by Dre, are sharp and minimalist allowing the gritty, defiant energy of the rhymes to stand front and center. Eazy E’s delivery is still as cold and calculated as ever, and Ren’s verses carry that raw intensity that made them legends in the first place. (MC Ren wrote alot of the verses on this album! proving his lyrical power)
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From a Gen Z standpoint, Fil4zaggin has had a long lasting influence on the genre. The gangsta and hardcore themes that defined this album are incredibly evident in today’s drill music. You can trace the same dark, aggressive energy lyrics directly from N.W.A to drill artists today. The emphasis on harsh realities, street life, and an unapologetic attitude is a direct continuation of what N.W.A was laying down back then. Love it or hate it, you can’t deny how this album paved the way for entire sub genres, and its influence is still felt in the sounds of today’s trap and drill music.
A Tribe Called Quest
Low End Theory
The Low End Theory was one of a kind for me, blending jazz and hip hop in a way that took the genre to a whole new level.
The beats are smooth yet hard hitting, creating a sound that’s both laid back and powerful. But what really makes this album stand out is the lyricism deep, thought provoking, and packed with socio political commentary and personal stories that hit home.
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Q Tip and Phife Dawg (who stepped up his lyrical game on this album) had a chemistry that felt effortless, bouncing off each other with a call and response style that made every verse feel like a conversation. Their back and forth flow added so much energy and personality to the album, making it one of the most cohesive and timeless hip hop records ever.
Compared to the groups debut album, this album had a more jazz, plus street feel to it with the groups lyricism and beats. Even after countless listens, this album still feels fresh and innovative one of those classics that never gets old and as a result of that this my favourite tribe called quest album.

Favourite tracks from Album
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Excursions
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Butter
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Verses From The Abstract (Featuring Vinia Monica)
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Show Business (Featuring Sadat X, Lord Jamar & Diamond D)
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Scenario (Featuring Leaders Of The New School)

Favourite tracks from Album
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Prince Of Darkness
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The Lover In You
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Ooh, Aah, Nah Nah Nah
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Groove With It
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Raw 91
Big Daddy Kane
Prince Of Darkness
Listening to Big Daddy Kanes Prince of Darkness is like seeing two sides of an artist at once. On the one hand, you’ve got Kane leaning heavy into this smooth, “ladies’ man” image, the R&B vibes, the silky beats, . But here’s the cool thing, even though he’s working that angle hard, Kane still proves he hasn’t lost a step when it comes to the bars.
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You can feel that same fire from his album It’s a Big Daddy Thing two years before the crazy wordplay, the tight punchlines, the confident delivery. It’s like he’s saying, “I can charm you with the hooks and the silky tracks, but I’m still the same killer MC on the mic.” The lyrics are still clever and Kane’s flow is still laser sharp, like he’s not gonna let the new image overshadow what he’s known for.
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What hits me is how he manages to keep his lyrical energy consistent even when the sound around him is shifting to something smoother. It shows he’s got range but also that he’s not going to sacrifice his bars just because he’s switched up the style. Kane’s still Kane, and he makes it clear that he can hold it down whether he’s spitting for the streets or serenading for the ladies.

Favourite tracks from Album
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Mic Contract
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New Jack Hustler
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Straight Up Nigga
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O.G Original Gangster
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Body Count
Ice T
Original Gangsta
Original Gangster is Ice T at his rawest, giving an unfiltered look into gang life while weaving in sharp political commentary.
This album took gangsta rap beyond just street tales, expanding its scope and making it even more impactful. Ice T’s lyrical style is direct, candid, and in your face, which only adds to the album’s aggressive and unapologetic tone.
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The production hits hard, pulling samples from different genres to match the intensity of the lyrics. While the album stirred plenty of controversy, its portrayal of inner city life is as real as it gets and remains a crucial piece of hip hop history.
Beyond the criticism, the success of Original Gangster both critically and commercially solidified Ice T as one of the most important voices in West Coast hip hop. This album isn’t just music it’s a statement, and it still hits just as hard today.
2Pac
2pacalypse Now
2Pac’s debut album, 2Pacalypse Now, really showcased his raw talent and deep social consciousness.
A lot of people only know the All Eyez on Me version of 2Pac, but if you go back to the early days of his career, you see an artist who was deeply rooted in conscious rap.
He was using his voice to call out injustice, fight for the people, and demand change.
Tracks like "Words of Wisdom" make that clear Pac wasn’t just rhyming he was teaching. He was breaking down systemic racism, police brutality, and poverty in a way that made you feel the struggle.
Listening to 2Pacalypse Now feels like hearing someone rap about the same issues we’re still fighting police violence, government corruption, economic struggle. The fact that his words still apply 30+ years later is both a testament to his vision and a reminder of how little has changed.
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As for Pacs Impact, Simply put... He set the blueprint for blending raw lyricism with activism, influencing artists like J. Cole, Kendrick Lamar, and even the energy behind today’s drill and conscious rap movements. His ability to mix vulnerability with aggression, poetry with street knowledge, is something that still defines hip hop today. Whether it’s the way he used his platform for social change or how he made every verse feel personal, his influence runs deep.
This wasn’t just the start of his careerit was the start of a legacy.

Favourite tracks from Album
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Soulja Story
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I Don't Give A Fuck (Featuring Pogo)
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Violet
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Words of Wisdom
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If My Homies Call

Favourite tracks from Album
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Just Hangin Out
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Looking At The Front Door
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Just A Friendly Game Of Baseball
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He Got So Much Soul
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Live At The Barbeque (Featuring Nas, Joe Fatal & Akinyele)
Main Source
Breaking Atoms
This album really struck me with its thought provoking lyrics, diving deep into social issues and personal experiences in a way that sticks with you.
The production is top tier, blending inventive samples with jazz influenced beats that create a rich, engaging sound. And of course, there’s that unforgettable verse from Nasty Nas, (now know as Nas) which only adds to the album’s legendary status.
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The flow throughout is smooth and articulate, proving just how skilled this group is on the mic. But one thing that stands out to me is how underrated (lead rapper) Large Professor is as a lyricist.
As the group’s leader, his bars are sharp insightful, and deserve way more recognition. This album is a true gem, and every listen reminds me why it’s such a classic.
Comptons Most Wanted
Straight Checkin Em
What hit me first was how this album doesn't try to be flashy. It’s all about the streets Compton as it was in the early 90s. MC Eiht’s voice has this low, slow menace to it. Every verse feels like a statement. A warning. A diary entry from the heart of a war zone. The beats are minimal but haunting. Like, imagine being in a car at night riding through South Central with nothing but streetlights and sirens outside. That’s what this sounds like.
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1991 was peak gangsta rap season and NWA had already busted the doors open, and groups like CMW were holding it down for the streets, not for TV. This album carried that gangsta image hard not in a glorified or cinematic way either. This wasn't cosplay. It was survival rap. You can feel the tension in every bar. The paranoia. The pride. The storytelling on tracks like “Growin’ Up in the Hood” is nothing but blueprint material. Just swap Compton for O Block or Tottenham, and you see the parallels. Both are rapping about cycles. Poverty. Retaliation. Loyalty. Losing friends. Not trusting the system. Even the cold, steady delivery that MC Eiht uses reminds me of how a lot of drill rappers spit today. Not emotional, not screaming just calm and deadly.

Favourite tracks from Album
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They Still Gafflin
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Growing Up In The Hood
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Drive By Miss Daisy
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Def Wish
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Can I Kill It
Naughty By Nature
Naughty By Nature
Naughty by Nature really broke through with their chart topping anthem “O.P.P.”, proving that East Coast hip hop could balance raw energy with commercial appeal.
Treach’s animated, pop culture infused rhymes showed just how much fun hip hop could be while still keeping that street edge.
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Speaking of Treach this is the guy who influenced Eminem, and it’s easy to see why. His ability to balance aggression with charisma also shaped Em’s approach to blending hardcore lyrics with humor and personality. Eminem has openly credited Treach as one of his biggest inspirations, saying he learned how to rap by listening to Naughty by Nature records. You can hear that influence in Em’s technical precision, fast paced delivery, and the way he structures his rhymes.
His flow was sharp, his delivery was effortless, and his wordplay was next level. One thing I love about late '80s and early '90s hip hop is how every rapper had their own distinctive style, and Treach was no exception. His ability to mix complex rhymes with pure charisma made Naughty by Nature stand out, and this era of hip hop will always be special because of artists like him.

Favourite tracks from Album
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Yoke The Joker
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O.P.P
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Everythings Gonna Be Alright
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1,2,3 (Featuring Lakim Shabazz & Apache)
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Strike A Nerve
Organized Konfusion
Organized Konfusion
This came out in 1991, but it feels way ahead of its time. Pharoahe Monch and Prince Po rap like they’re trying to solve puzzles with every verse. They don’t just rhyme they go deep. Complex bars, weird concepts, crazy flows.
One track they’re talking about war and racism, and the next, they’re literally rapping as sperm trying to reach the egg. Yeah, really.
The flows are unpredictable. It’s not about catchy hooks or party beats. It’s about brain power. Listening to this felt like studying for an exam but in a good way.
You can’t just play it once. You need to really sit with it, catch what they’re doing, and replay it to get all the layers. Compared to other rap from 1991, this album stands out hard. It’s not about street life or flexing. It’s about expression and pushing what rap can sound like. I hear the influence in artists like Earl Sweatshirt and Kendrick. That weird, smart, unpredictable style , Organized Konfusion helped start that.
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This album isn’t easy to just vibe to, but that’s the point. It challenges you. It’s not background music. It’s the kind of album you listen to with headphones on, locked in. For me, this is one of those hidden gems that more people should talk about.

Favourite tracks from Album
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Fudge Pudge
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Walk Into The Sun
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Releasing Hypnotical Gases
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Roosevelt Franklin
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Open Your Eyes

Favourite tracks from Album
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Homie Don't Play That
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Another Nigger In A Morgue
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Chuckie
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Mind Playin Tricks On Me
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Fuck A War
Geto Boys
We Can't Be Stopped
This album is raw, heavy, and brutally honest. They talk about real life trauma getting shot, dealing with mental health issues, street violence, paranoia.
It doesn’t feel fake or exaggerated. It feels like they’re just telling the truth, no matter how dark it is. What really got me was how similar it is to drill music today. Yeah, the beats are slower and more old school, but the content is nearly the same. In drill, rappers talk about losing friends, being on edge, dealing with pressure, and being stuck in a cycle of violence. The Geto Boys were doing that in the early 90s.
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“Mind Playing Tricks on Me” is the best example. Scarface raps about feeling watched, struggling with his own thoughts, and trying to survive. That hit hard it reminded me of modern artists who talk about mental health while still keeping it street. It’s emotional without being soft.
You feel the weight of it, Bushwick Bill literally raps about getting shot in the face. Willie D talks about real street codes and surviving in a system that’s against him. It’s intense, but that’s what makes it feel real. They weren’t trying to impress anyone they were just telling their story.

Favourite tracks from Album
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Fuck Compton
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Step To Me
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Bronx Nigga
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You Ain't Shit
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You Can't Fuck Around
Tim Dog
Penicillin On Wax
Listening to Tim Dog’s Penicillin on Wax was like discovering the early version of what 50 Cent would do later. The album is loud, aggressive, and straight up bold.
Tim Dog didn’t care who he offended. He came in swinging, especially with the track “Fuck Compton,” which was a full blown shot at the West Coast. It wasn’t subtle, and that’s what made it stand out.
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Every track feels like a diss, a challenge, or a warning. His delivery is rough, in your face, and hard to ignore. The beats are gritty and raw classic East Coast style and the whole thing just has this underground fight vibe to it.
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Tim Dogs style reminds me of early 50 Cent. Both used beef and controversy to build a name. Tim Dog’s confidence, attitude, and “I don’t care” energy feels like a blueprint for the kind of rap 50 made popular years later. Even the trash-talking skits and bold voice sound like something out of 50’s playbook.
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For me, Penicillin on Wax is dope because it’s so real and unapologetic. It shows how hip-hop used to be about making noise and taking risks, not fitting in or playing it safe. If you like raw, early 2000s 50 Cent, Tim Dog is definitely someone worth checking out.
De La Soul
De La Soul Is Dead
With De La Soul Is Dead, De La Soul took a darker, more cynical turn compared to their debut.
This album dives deep into themes of disillusionment and societal hypocrisy, showing a different side of the group that really resonated with me.
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The production is a brilliant mix of diverse samples, layered seamlessly with thoughtful lyricism to create a unique and immersive mood. The skits and interludes aren’t just filler they add to the storytelling, giving the album a cohesive, almost cinematic feel.
This wasn’t just a follow up album it was a bold statement, marking a major shift from the playful energy of their debut. And that’s what makes De La Soul Is Dead so special it’s raw, reflective, and completely ahead of its time.

Favourite tracks from Album
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A Roller Skateing Jam Named "Saturday"
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Bitties In The Bk Lounge
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Ring Ring Ring
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Shwingalokate
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Keepin The Faith

Favourite tracks from Album
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Derelicts Of Dialect
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Ace In The Hole (Featuring KMD)
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Portrait Of The Artist As A Hood
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Pop Goes The Weasel
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Problem Child
3rd Bass
Derelicts Of Dialect
Derelicts of Dialect is one of those albums that doesn’t always get the credit it deserves, but for me, it stands as a sharp, witty, and technically impressive piece of early '90s hip hop.
3rd Bass was one of the first white rap groups to gain respect in the culture before Eminem came onto the scene, and they did it by being authentically hip hop no gimmicks, no forced personas, just straight up skills and sharp lyricism.
This album goes hard on multiple levels.
The production is boom bap perfection, packed with deep basslines and clever samples that give it a raw, underground feel. Lyrically, MC Serch and Pete Nice deliver some of their best work, effortlessly blending humor, social commentary, and battle ready bars
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What I love most about Derelicts of Dialect is how unfiltered and fearless it is. It’s not just about proving their place in hip hop it’s about pushing boundaries, calling out cultural vultures, and showing that hip hop, at its core, is about skill and authenticity, not just image.
2 Live Crew
Sports Weekend: As Clean as They Wanna Be, Pt. 2
The production on this album is absolutely immaculate. If you love booming bass or that signature Miami Bass sound that 2 Live Crew helped pioneer, this is a must listen.
It’s the kind of album that truly shines when played in a car or through a great sound system the low end hits hard, and the beats are straight up infectious.
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Lyrically, 2 Live Crew sticks to what they do best raunchy, over the top party tracks about sex, head, and more sex, with a little safe sex awareness and storytelling thrown in for good measure. The production continues to improve with each album, keeping their signature sound fresh and hard hitting.

Favourite tracks from Album
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Pop That Pussy
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A Fuck Is A Fuck
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Baby Baby Please (Just A little More Head)
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Whos Fuckin Who
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I Ain't Bullshiting Part 2
Ice Cube
Death Certificate
Ice Cube comes into 1991 giving listeners a wake up call to tackling everything from systemic racism and police brutality to gang violence and the state of Black America. This album is brutally honest, sometimes controversial, but always thought provoking.
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The production, handled by Sir Jinx and The Boogie Men, is top tier funky, hard hitting, and layered with samples that bring Cube’s vision to life. The beats slap, but it’s Cube’s delivery and message that make Death Certificate an undeniable classic.
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This isn’t just one of Ice Cube’s best albums it’s one of the most important records in hip hop history. It’s raw, controversial, and at times uncomfortable, but that’s exactly why it still resonates decades later.

Favourite tracks from Album
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The Wrong Nigga To Fuck With
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My Summer Vacation
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True To The Game
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Color Blind (Featuring Deadly Threat, Kam, The Maad Circle, King Tee & J-Dee)
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No Vaseline